The Speedmaster

So I have this new toy, the Sony A7s, regarded in a number of circles as the one camera to rule them all (in terms of shooting in the dark). I got the brightest native E-mount lens which is the sharpest autofocus lens Dxomark has ever tested in the FE 55mm f/1.8 but I still wasn’t satisfied.

One thing I had conceded with the A99 was the possibility of having something brighter than f/1.4. Talk about a first world problem. My shooting style lends itself to very shallow depths of field and I wanted to go shallower. The E-mount brought a wealth of possibility with all of the adapters as well as the third-party support. Doing some research, I had found a number of lenses brighter than f/1.0. Many of these were adapted in someone’s workshop and had a fixed aperture, or worse, a fixed focus. Using an adapter, I could get a couple of the legends out there. A couple copies of the Canon Dreamlens (50mm f/0.95) are out there in the $2500-$3000 range. And Leica has an option for ten times as much. There were already a few sub-f/1.0 lenses for the APS-C E-mount bodies, but only one available for the A7-series. The Mitakon Speedmaster. The biggest problem with the Speedmaster: availability. Both B&H and Adorama had them for pre-order for around $900. Or I could roll the dice with an international seller on eBay. I chose the latter. Five short days later, a box arrived from Hong Kong. I found the first surprise, a very well-made leather-bound box.

 

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ILCE-A7s, Mitakon Speedmaster 50mm f/0.95 @ f/0.95, ISO 1250, 1/60s

I opened the box and found a very heavy manual aperture, manual focus lens. I put it on my A7s and found it had a very nice, snug fit on the mount. With any bright prime, I started testing it wide open. Here is the first shot taken, followed by a crop of the center.

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ILCE-A7s, Mitakon Speedmaster 50mm f/0.95 @ f/0.95, ISO 100, 1/800s
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Not too bad, I could tell I needed to get used to the microscopic depth of field. I stopped down to f/1.4 (hearing myself type: stopped down to f/1.4) and produced this result:

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ILCE-A7s, Mitakon Speedmaster 50mm f/0.95 @ f/1.4, ISO 100, 1/500s

Without a doubt, I realized this lens had passed the color test. The next evening I took the kids to the NASCAR race at Charlotte Motor Speedway. I found the possibilities to be endless.

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ILCE-A7s, Mitakon Speedmaster 50mm f/0.95 @ f/0.95, ISO 250, 1/250s

Again, I am impressed with the colors. The person in the background behind my son with a hat and headphones on was about two feet behind my son. Sure, there is a little CA wide-open. But for $900, I frankly don’t care. And Lightroom could fix it enough.

I have a really nice problem to have right now. I have a new A7s and I am overwhelmed by the possibilities. I want to shoot all four of the lenses I have, but I can only bring one or two with me at any given time. My biggest problem is figuring out which two. Grace is not amused by my problem.

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ILCE-A7s, Mitakon Speedmaster 50mm f/0.95 @ f/0.95, ISO 100, 1/200s