Moving Forward

Hello from 32000 feet! I am on an Airbus 321 flying from Charlotte to Minneapolis.

What a year 2014 has turned out to be so far! I have had a major life change and I really haven’t taken photographs as much as I would like.

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SLT-A99V Sony 50mm f/1.4 SSM ZA @ f/2.5, ISO 250, 1/160s, EV-0.7

I foresee more photographs in my future, however….

Late last year, my manager at work took a stretch responsibility which left our team without a manager for a good part of half a year. In March the business unit I was a part of reorganized and some of the priorities shifted leaving me in an uncomfortable position. And a new manager was assigned to my team.

My spidey sense was telling me to find something else to do. I called in a couple of favors, leveraged my network and found a new role with the same company (I’ll be starting my fourteenth year on Wednesday). The new role is slightly different than my previous role, and as luck would have it, I am travelling a lot more, but to a single destination(Mostly Minneapolis to start). As much as I enjoy being the new guy again, I sure have to work much harder than the last time.  : ) I am finding myself wearing my polo shirts and slacks a lot less and my suits a lot more. Plus my hours are much longer. A good set of problems to have, I assure you.

I made the job transition in June. Every single week I was carrying my A99 with me and a couple of lenses. Usually my 50mm f/1.4 SSM ZA or my 85mm f/1.4. I found the Rokinon 14mm f/2.8 really cheap and I brought it along a couple of times, but I was so busy I didn’t shoot as much as I wanted. I did manage to take my A99 and Minolta 200mm f/2.8 HS APO G to a Seattle Sounders game and catch Landon Donovan after he scored a goal.

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SLT-A99V, Minolta 200mm f/2.8 HS APO G@f/4, ISO 500, 1/250s

Once I got assigned to a full-time customer through February, I was assigned a second computer to carry around so I felt the need to downsize. I tried out the Sony CyberShot RX100M3 and so far I have found it good enough to get me by. The RX100M3 has a 1” sensor and a 24-70mm-equivalent lens, but it is fast for a point and shoot and has an EVF on par with my A77 and as far as I can tell, better ISO 800 and higher than the A77. I’ve carried the RX100M3 for exactly a week and I haven’t been able to get a good enough sample. Below is one of the first shots I took with the RX100M3 to see how it looked, completely unedited.

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DSC-RX100M3 8.8mm (24mm equivalent) @ f/1.8, ISO 125, 1/30s

Last week, I got an email from KEH, one of the best used shops on the internet, and according to the email they were going to be at Cardinal Camera in Charlotte last Saturday paying top dollar for used equipment. A thought popped into my head… I have two bodies I am not really using in the A77 and A900m as well as the A99 I parked because of needing to carry less. I have a ton of very nice glass sitting in a cabinet or in a pelican case. Why not get a quote for the equipment and see what I could trade it for?

Nothing groundbreaking was being released for the A-mount. I passed on the A77m2. I was cautiously waiting for the A99m2 to release. A few third party lenses from Sigma and Tamron hit the shelves. In terms of first party glass, absolutely nothing was in the pipeline I didn’t already have, mostly second revisions of lenses already available I had passed on the first round. Either it wasn’t my style or it wasn’t in my price range. As a prime shooter with most of the best primes the A-mount had to offer, I was looking in the resale market on eBay, KEH, Adorama, or B&H Photo and Video at the Minolta 300mm f/2.8 or 400mm f/4.5. The new Sigma 35mm f/1.4 looked promising. But nothing really told me to jump. I actually went 9 months in 2014 only spending $250 on the Rokinon 14mm f/2.8 and I only took like 8 shots with it, including the photo below.

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SLT-A99V, Rokinon 14mm f/2.8, ISO 100, 1/400s

The KEH representative was a kid. Maybe 22-23 years old on the low end. Couldn’t be older than 30 if he ages well. I brought a pelican case and two boxes of lenses, with all of the manuals and original boxes. The breakdown of what I had given the KEH rep, with original prices and what I estimated the condition is below.

A99 (SLT-A99V); 100,000+ actuations, purchased new for $2800 October 2012, EX-/EX

A900 (DSLR-A900); ~15,000 actuations, purchased used for $1300 October 2012; EX/EX+

A77 (SLT-A77V); ~50,000 actuations, purchased new for $1300 November 2011; EX/EX+

Sony 85mm f/1.4 ZA, purchased new for $1500 November 2011;  EX-/EX

Sony 50mm f/1.4 SSM ZA, purchased open box for $1300 December 2013; EX+/LN

Sony 24mm f/2 SSM ZA, purchased new for $1200 September 2012; EX+

Sony 135 f/2.8 [T4.5] STF, purchased open box for $1000 July 2013; EX+/LN

Minolta 50mm f/2.8 Macro, purchased used for $150 June 2013; EX

Minolta 200mm f/2.8 HS APO G, purchased used for $1100 December 2012; EX-/EX

Minolta 300mm f/4 HS APO G, purchased used for $1100 August 2013; EX/EX+

Rokinon 14mm f/2.8, purchased new for $250 June 2014; LN

Sigma 600mm f/8 Mirror, purchased used for $300 sometime in 2011 or 2012; VG/EX-

Minolta 3600 HS flash, purchased used for $50 in October 2012; EX+/LN

TOTAL: 3 Bodies purchased for $5400; 9 lenses @ 7900; One flash @ $50.

Combined unmaintained value $13350

Thirteen grand. (I still drive a truck I paid $6500 cash for in 2006.) This doesn’t include maintenance costs like sensor swabs and fluid, the arctic butterfly, AA batteries for the flash, or the rubber eyepiece cushion I had to replace on the A99. If I played my eBay card right, I probably could have gotten a little more than half of my investment. But I knew half was probably ambitious. I had a number in mind for trade. It was $5000.

Why would I settle for less than half? Convenience, first and foremost. They were in Charlotte. I could get the money and turn it around and get something new. No boxes to pack, no shipping labels. I bill my customers at over $300 an hour. $5 a minute. Of course, I don’t make $300 an hour, just a small fraction. My rate covers the cost of the people selling my time, my management, my salary and insurance, and a wealth of other costs. We’re lucky to break even sometimes. Fortunately I am a cog in a bigger machine where profits are found elsewhere. But despite my role in the rate, I am very aware of how much my time is worth and my customers do not let me forget. Posting on eBay takes time. Packing boxes and printing shipping labels takes time. I am travelling four and five days a week lately. KEH wins with convenience. Every minute is another burning Lincoln.

I had a lot on my side. I take good care of my equipment. The 85mm f/1.4 ZA had been on three continents, nine countries, and more than half the US states. The hood was unsellable. There was dust inside the front element. The paint on the outside was chipped in a couple of places. But the IQ was as good as the first day I bought it. The A99 had nearly 100,000 actuations on it. I presume with video taken into account, the shutter had over 100,000 clicks. I didn’t check. The outside was still very clean. Only a little wear on the grip and a couple small scratches on the bottom corners. The LCD had a protector on it from day 1. And I cleaned that thing (and everything else) with a Q-tip before I brought it in. The photo below shows the work the KEH rep had ahead of him.

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DSC-RX100M3 8.8mm (24mm equivalent) @f/1.8, ISO 250, 1/30s

The KEH rep carefully inspected everything. It took nearly an hour. He knew the 85mm f/1.4 was my baby and he looked at it last. Admittedly I was sad. After he was done, tagging each item, he gave me the verdict. Over $6400. Done. Gone. 48+% return with almost two solid years on the A99, almost three on the A77, and I had catalogued those almost three years in 6000×4000 resolution for myself and my family, and had a lot of fun along the way. I even made a little money with the shots I took.

What to spend the $6400 on? Well, the tough part was over. I am a very loyal person. I was married to the A-mount. I couldn’t move forward. I still liked Sony. Although with $6000+ (and a good amount of cash I was willing to spend out of pocket), I was tempted to look at Medium Format with the Pentax 645Z (it has a Sony sensor), but I would have been stuck with a small selection of glass. And giant files. So I really had three choices. A7, A7R, A7S; plenty of options for glass, plus endless options for adaptation.

With the three bodies I had just sold, I was previously sitting at 6000×4000 (the A900 was slightly more at 6048×4032) resolution. The A7 would be about the same. The lower price point was attractive. I could get more glass. The A7R would be a hike in resolution 36+ MP versus the 24 MP I was used to. But then again, I am losing the stabilization. I would need to be faster and I was losing two f/1.4 lenses with the widest released lens being the 55mm f/1.8 Z FE. The A7S was the most expensive by about $200, and I would cut my resolution in half at 12MP, but for the undisputed low-light champion on DXOMark. It was between the A7R and A7S. Cardinal Camera didn’t have either in stock, nor did they have any of the lenses. They would have to order all of it. So my instant gratification buzz was not going to happen. I was going to have to wait. I got to thinking. I could have a super-resolution 36mp camera and have to depend on a sure hand. Or I could get the 12MP low-light champ and the apertures on the lenses I could purchase could be much smaller. The quality E-mount zooms mostly have f/4 apertures.

It was clear to me. I went with the A7s, the 24-70mm f/4 SSM OSS Z FE, the 70-200mm f/4 SSM OSS G FE, and the 55mm f/1.8 SSM Z FE. The 55mm would be the prime I am used to, and I could use two quality Zeiss zoom lenses to wipe out an entire range. The kicker being I had just purchased the RX100M3 with the 24-70 range and I was enjoying having a zoom after all that time with primes. Plus if I wanted to get really nasty in the future, I could mount one of the Mikaton Superprime lenses (50mm f/0.95 !!) on the A7s and with expansion to ISO 409,600 I would have night vision. I would reduce the amount of space taken in my office, and I would simplify my life. After they added it all up, I walked out with a gift card with more than $160 on it… And the A7s and lenses are being shipped and should arrive later this week. I feel almost naked until I remember I have the RX100M3 to lean on until I get back home (and this photo I took of the A7s at the Sony demo table).

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DSC-RX100M3 23.14mm (63mm equivalent) @ f/2.8, ISO 1600, 1/80s

I am being asked to put my seat back up and return my tray table to the upright and locked position. I am excited about starting anew with the A7s. Friday really could get here much sooner. My old job was replaced by the new one. And the A-mount is gone in my world and the E-mount will be my immediate future.

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A lot going on…

I constantly feel like I am falling further and further behind… Really, I am about where I need to be when it comes to my work stuff, which means I am actually behind in everything else.

I have a ton to write about and I am going to try to catch up, yet again to make sure none of this is lost. I plan on making some posts in the coming days, but probably not today, but I figure I would make a list. So in no particular order here goes:

1. Holiday Cards. The annual adventure which is the family holiday card.

2. The ACC Championship Game. A last-minute ticket purchase allowing me to see the number one team in the land and eventual Heisman trophy winner. And I snuck some equipment in as well.

3. 35mm Film Adventures. My latest addiction. Experimenting with 35mm film.

4. Wedding Lessons Learned. Post-processing lessons and other lessons learned in finishing the job.

5. Austria. I still haven’t finished writing about Austria. I’ve written about it in my head several times but I just can’t do it justice. I also want to revisit the photos with a clear head.

6. Adobe Creative Cloud. I purchased the Lightroom/Photoshop membership yesterday. Lightroom I already had. Photoshop, I am completely lost right now.

7. Picture Frames. I have a hard time purchasing frames for my photographs. I decided to attempt making one… And it turned into three.

Since this is a photo blog, I am obligated to post a photo. Here is one of the “throwaways” from our family holiday card.

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SLT-A99V,85mm f/1.4 ZA @ f/2.5, ISO 100, 1/125s, +2EV

Stars do align…

When I was in elementary school in Colorado Springs, Colorado I was a decent student. Above average. I was a little full of myself, but I was very competitive in class. I wasn’t the most popular kid in class, but for my part I was generally well-liked other than maybe a couple (or few) times I tried a little too hard to get people to like me. But who didn’t back then? There was a girl who was consistently my main competition for the highest scores in class ever since she arrived at our school in second grade. At least I saw it that way. She probably didn’t, nor did she care. She was also perceived as one of the prettiest girls in our class. Her name is Kaylah.

Kaylah and I were in elementary school back in the 80’s and early 90’s. Back then I was among many with the infamous Mullet hair cut. When we finally trimmed our mullets, we left a little bit long in the center called a Rat Tail. A lot of the boys in our class would jockey to sit in front of Kaylah because she would do a highly intricate braid of our rat tails. You were the coolest if Kaylah did her famous braid on your rat tail. Here is a photo of of photos of the 5th grade mullet which eventually became the rat tail (left) and a photo of the 2nd grade mullet I had when Kaylah joined the elementary school.

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I have no clue how to give photo credit here. These were taken in 1989 and 1986 respectively.

Kaylah and I went to different junior high schools, but we went to and graduated from the same high school. Here is a photo of Kaylah from our yearbook when we were freshmen.

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Palmer High School Retrospect 1994 – Volume 65, Page 113

Social networking makes it possible for people to keep in touch without leaving their city. Kaylah and I had been MySpace and later, Facebook friends. I was able to meet her in Washington DC for a beer or two during a business trip because of social networking in 2007 or 2008. I had so many trips to Washington DC at the time, I really don’t remember when it was, I just remember it being after the ten year high school reunion we both didn’t attend. We kept in touch loosely, I’d see her posts with her kids, including daughters who look exactly like I remember Kaylah looking in elementary school. Every once in a while, we’d “like” something the other had posted. And I was definitely happy to see her get married to a guy who looks like Clark Kent for her second marriage.

Fast forward to 2013. For my photography business, I put in a couple of bids for weddings and I hadn’t gotten traction on any of them. The feedback was consistent, I didn’t have any wedding experience. How do you get experience if someone doesn’t give you a shot? I had a cousin getting married, I offered to shoot his wedding and I didn’t get a response. What was I to do?

I did something absolutely crazy over Facebook. I offered to do a wedding for free, throw in a hundred or more dollars of prints in for free, and I paid $30 to boost the post. It reached 7000 people. Then the stars aligned…

Kaylah asked if I was free on November 2nd. Her little sister, Hannah was getting married outside of Durham, North Carolina. Being a couple hours’ drive away, it wasn’t a hassle at all. So I got on the phone with Hannah, and we agreed to have me photograph their wedding. It would be a “win-win” situation as I would get some valuable experience and add to my portfolio, and Hannah and her fiancé Josh would get a break on a photographer at the risk of my inexperience.

I remember Hannah as Kaylah’s little sister. She was two grades behind us, and I remember her having brown hair where Kaylah had light-brown to blonde hair. They were both very pretty girls, you could tell they were sisters but they also looked distinctly different. Here is Hannah’s yearbook photo from her sophomore year (Kaylah and my senior year).

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Palmer High School, Retrospect 1997 – Volume 68, Page 136

So my first wedding shoot was the little sister of a girl I went to elementary school with from second to sixth grade, and graduated high school with… in Colorado Springs. And we’d be outside of Durham, North Carolina. According to Bing Maps, it would be a 1623 mile drive taking approximately 23 hours and 33 minutes from Colorado Springs to the venue. And to add to the stars aligning, we’ve had a late fall in the Carolinas and the fall colors were near peak. Last year at this time, the leaves had all fallen. The venue was Het Landhuis in Pittsboro, NC.

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SLT-A99V, 85mm f/1.4 ZA@ f/4.5, ISO 100, 1/800s

Nothing really prepares you for your first wedding shoot. I looked all over the internet, looked at magazines, I even looked through wedding albums. In preparation, I bought a Minolta Maxxum 5 35mm camera, new in box for very cheap and some rolls of film. I bought ten 35mm disposable box cameras to randomly pass around for wedding guests to shoot with. I upgraded my tripod and head. I bought filters for my lenses. I bought umbrellas and lights. I brought almost every piece of equipment I own. I didn’t bring my Sigma 600mm f/8 mirror or my cheap 2x teleconverter. That’s it. Everything else came with me.

I arrived about four hours early to scout the location. Here is a shot I took where my little girl was playing the part of the bride. I didn’t use this camera/lens combination the rest of the day.

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DSLR-A900, Minolta 200mm f/2.8 HS APO G @f/4, 1/500s, ISO 200

My first lesson was almost immediate. I brought too much equipment. I had to decide what to park and what to take with me. I parked my two biggest lenses, the Minolta 300mm f/4 HS APO G and 200mm f/2.8 HS APO G. No white lenses for this shoot. My daughter carried an A900 with a Minolta 50mm f/2.8 Macro as my backup shooter. I had my A99 and A77, a Maxxum 5, my 85mm f/1.4, 135 STF, 24mm f/2, a Minolta baby beercan (35-75 f/4), and a Lensbaby Composer with Edge 80 optic (80mm f/2.8); I also had my Minolta 3600 HS Flash, all of my backup batteries and a few rolls of film. I hid my new Vanguard carbon fiber tripod and BBH-200 ballhead under a bed in the preparation cabin or in a storage barn. The rest went to my truck. At the end of the day, around 60% of my shots were with my go-to combination, my A99 and 85mm. The combination with the next closest percentage was my A77 and 135 STF at around 20%. A vast majority of the shots were between f/2.8 and f/4.5. I think I would have benefitted from a 70-200 f/2.8.

I sent my daughter to roam around the estate and told her to take as many random photos as possible and I would park her in a certain spot during the ceremony. My first real shooting started out in the cabin where the bride was preparing. Of course, while Hannah is preparing, I would expect a visit from her big sister, Kaylah. What I didn’t expect was a visit by their older sister Susannah, who is a few years older than Kaylah and I, but you’d never know by seeing her. She doesn’t look a day older than her mid 20’s. I had never met Susannah. I got this shot of the three. (Left to right: Susannah, Hannah, Kaylah)

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SLT-A99V, 85mm f/1.4 ZA @ f/3.5, ISO 1600, 1/50s

Being an outside wedding on an estate with cabins and farm houses, I had some backlit situations, and I had to deal with some shadows as well. I couldn’t exactly interfere with the ceremony to say “Excuse me, can you guys move to under the shade?” so I had to work with what I worked with. I tried to get shots atypical of some wedding shots I have seen, some which tell a story.

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SLT-A99V, 85mm f/1.4 ZA @ f/4, ISO 100, 1/200s.

This was a second wedding for both Hannah and her fiancé, Josh. The role of the bridesmaids and groomsmen would be fulfilled by Hannah’s son and daughter, and Josh’s daughter. Hannah was walked down the “aisle” or path by her son, Caedon.

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SLT-A99V, 135mm f/2.8 [T/4.5] STF @ f/2.8/T4.5, ISO 100, 1/400s, +1EV

The actual ceremony was performed in some woods about 200 yards away from the cabin, nestled down below ground level. The ceremony area was completely surrounded by woods and their fallen leaves. Walking on the leaves was LOUD. When I realized how loud it was, I decided on two lenses, on two bodies and parked the rest of the equipment behind a tree. I had my A99 and A77 and my 85mm f/1.4 and my 135 STF.

In order to shoot one side of the ceremony and then move behind it, I had to go up a hill and around the edge of the trees, which was probably a 20 foot rise and 100-150 yards of a sprint while missing potential shots. While behind the ceremony I got this shot.

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SLT-A77V, 135mm f/2.8 [T/4.5] STF @ f/2.8/T4.5, ISO 400, 1/320s, +1EV

It was a very unique ceremony, done with some Native American tradition. It was very spiritual. The entrance and exit were done with a chanting drummer performing. The vows were done for the bride and groom to the rest of their family, not just to themselves. There were some symbolic gestures performed ritually in the ceremony. Most of the ceremony the bride and groom were covered by a woven blanket. I certainly wasn’t prepared for that!

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SLT-A77V, 135mm f/2.8 [T/4.5] STF @ f/2.8/T4.5, ISO 100, 1/250s, +1EV

The sun was in the girls’ faces, which was apparent in many of the shots I got. She covered her face with flowers in 90% of the shots I took. Fortunately, they didn’t look at the sun for this shot.

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SLT-A99V, 85mm f/1.4 ZA @ f/4, ISO 160, 1/100s, +1EV

Once the ceremony was performed, it was reception time. The sun gave way to rain clouds. I was fairly happy about it before it started raining. This shot was the out of body jpeg.

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SLT-A99V, 85mm f/1.4 ZA @ f/2.8, ISO 100, 1/320s

I got a couple from this position, rotated a few degrees to my left and shot some more, a little closer.

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SLT-A99V, 85mm f/1.4 ZA @ f/2.8, ISO 100, 1/160s, +0.7EV

And then we moved around toward a small pond. Beforehand, we stopped at this tree.

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SLT-A99V, 85mm f/1.4 ZA @ f/3.5, ISO 1250, 1/100s

And we took a few with Hannah and Josh on the bridge over the pond.

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SLT-A99V, 85mm f/1.4 ZA @ f/4, ISO 1600, 1/80s

I thought the rain would miss us. I even said “I think the rain is going to miss us.” Boy, I messed that forecast up. Rain hit us hard and fast. We quickly moved to a barn. I was going to have to face my biggest weakness. The flash.

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SLT-A99V, 85mm f/1.4 ZA @ f/3.2, ISO 400, 1/250s

Despite the darkness in the barn, I got a few of the “must-have” shots including the cutting of the cake, the first dance, and some family shots. Once the rain stopped we decided to take advantage of the lights outside. Josh told me he wanted this shot and it was just a matter of me not messing it up, and Josh staying still.

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SLT-A99V, 85mm f/1.4 ZA @ f/4.5, ISO 400, 2s

And if you thought one person staying still was hard. We attempted two.

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SLT-A99V, 85mm f/1.4 ZA @ f/4.5, ISO 400, 2.5s

Between my A99, A77, and A900 I had taken more than 1000 photos. I still haven’t gone through them all. These are the heavy hitters. I still have a few I would like to post-process more. My daughter took almost 300 shots. I took 2 rolls of 35mm film and received 9 of the 10 disposable cameras back. I’ll be interested in seeing how those turn out.

I’ve been pretty long-winded already. I could fill another post with wedding photos. I learned a few lessons. I need to bring less equipment. I need to probably invest in a good 24-70 or 70-200 lens and use one body, rather than moving around with a few primes. I need to not try to get cute with 35mm film. I need to use film to augment digital (I feel a 35mm film-centric post coming soon). I also learned I need to not only make a playbook, but to follow it. I made a playbook and since the ceremony wasn’t traditional, I had to improvise a bit. I totally should have gone back to it once the ceremony was over. I missed a few shots I should have gotten. Fortunately for Hannah and Josh, many of the wedding guests filled in some of those gaps with their phones and I imagine the disposable camera photos will help fill their album with the playbook shots. I spent a lot of time chasing down cell phone photos posted to Facebook for their album. Finally, I need to spend more time shooting with a flash. I had a hard time getting the flash photos right with the weird ceilings of the barn. The few that came out right were beautiful.

Hannah and Josh seem like people who live their life with little to no regrets. Hopefully the risk of having me learn on the job won’t be one of them.

The Cup Champion’s Beer Glass

Anyone who has read my posts knows I live just outside Charlotte, North Carolina. Home of NASCAR. Sure, the official headquarters is in Daytona. But the NASCAR Hall of Fame is in Charlotte, adjacent to a large building with NASCAR’s logo on it. Almost all of the teams’ race shops are within 20 miles of Charlotte, and if you extend 90 miles, I believe all but one race shop is within radius. More on this introduction later…

If you have read some of my other posts, you have probably figured out I have an equipment addiction in terms of bodies and lenses. I have a couple of the baddest a-mount prime lenses on the planet. The 85mm f/1.4 Zeiss Alpha. The Minolta 200mm f/2.8 High Speed APO G. The 135mm Smooth Transmission Focus. I figure there are about 4-5 lenses I would want more than the ones I have and most of them are way out of my price range. I’d love the Minolta 600mm f/4 High Speed APO G. I can’t spend that kind of dough without spousal approval. They typically go for $5000-6000. The 300mm f/2.8 SSM G-II looks pretty awesome. $7000 is more than I paid for my truck, a 1998 Dodge Ram 1500 with 14,000 miles on it in 2006. The Sony 500mm f/4 runs about $12 grand. So I have to shop around. A Minolta 300mm f/2.8 APO G is about $4000 less than the current Sony model. I’m intrigued by the Minolta 400mm f/4.5.

I was doing some value shopping and I came across a Minolta 300mm f/4 High Speed APO G for less than what I paid for the 200mm f/2.8. I wasn’t sure about spending that kind of dough on a dark f/4 lens. I figured I’d buy it and if I don’t like it, I’ll sell it to raise money for a 300mm f/2.8.

One of my favorite things about being on the A-mount is the cool nicknames old Minolta lenses have. I used to own the Minolta Beercan, the 70-210 f/4 lens which is the about the same size of a Coors tallboy. There’s the “Big Beercan” (75-300 f/4.5-5.6), the “Baby Beercan” (35-70 f/4), and the “Secret Handshake” (28-135 f/4-4.5). Anyway, I was surprised about how small the 200mm f/2.8 High Speed APO G was. The lens arrived yesterday and I pulled it out of the box…

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I am completely overwhelmed by how big this thing is.

Yeah, that is the fully extended 85mm f/1.4 ZA on the bottom with a filter and a lens cap, with the fully hooded 200mm f/2.8 HS APO G on top on the right. The 300mm f/4 HS APO G is on the left.

I think the 300mm f/4 High Speed APO G lens should be named the Champion’s Beer Glass. Why? Last year, the NASCAR Sprint Cup Champion Brad Keselowski created a buzz on social media about the giant beer glass he was drinking out of when he won the championship. I can’t post a photo, but go to Bing and look it up. Or click here…

Long story short, that beer glass was insane! And so is this thing. I guess I should have read the specification. The 200mm is 134mm long according to spec measured lens bayonet to front element. My quick “I think I remember a ruler having 30 centimeters” math tells me it is about 5-6 inches long depending on if the hood is extended or not. The 300mm lens spec says 220mm or 8 inches long. The front element sinks in a bit and the hood is about 4 inches long. With the rear cap, and hooded this bad boy is a foot long.

How does it shoot? Well I have shot maybe 20 frames with this and I already can tell this lens is not likely to leave my collection any time soon. Wide open, this thing is razor sharp. And the famous Minolta color. Straight off the body, zero editing.

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SLT-A99V, 300mm f/4 HS APO G@ f/4, ISO 500, 1/320s

Here is the same shot, on the left side of the frame.

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A little bit of CA there, but not much. The biggest thing (other than physical length and weight) I need to get used to is the big minimum focus distance. 250cm. A little over eight feet.

Dogwood berries are my standard of red. This thing knocks it out of the park.

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SLT-A99V, Minolta 300mm f/4 High Speed APO G@f/4, ISO 640, 1/320s

And full resolution. Keep in mind, these are ISO 640. The leaf was peaking in manual focus and I am handheld.

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A little bit of green under one of the berries. Fixable.

So there you have it. And I think I just figured out my PG-13 nickname for this thing. The Big Ass Beer Glass.

One year later…

Today, WordPress let me know I have been doing this for a year. A year and a week, actually by my count. I hadn’t logged in for a while as I am absolutely slammed with work right now. Now I feel bad. I really want to be able to post a little more frequently than I do. I’m still two months behind on posting about my Austria trip. I’ve had 16,000 unique page views. Hopefully some of those people got some value from my posts.

In my first couple of posts I mentioned something about not being able to shoot my favorite subject, my wife. Now I get to photograph her more often. One problem solved.

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SLT-A99V, 85mm f/1.4 ZA @ f/1.4, ISO 100, 1/640s

A year ago I was shooting with my A77, and though I still have it, use it, and love it; I now shoot mostly with my A99. I’ve learned some new techniques and figured a couple of things out.

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SLT-A99V, 24mm f/2 SSM ZA @ f/5.6, ISO 100, Various speeds (Processed in HDR Efex Pro 2 from 3 exposures)

I’ve made a couple of friends, and even hung out with one. Thousands of miles away from home, on a different continent.

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SLT-A99V, Minolta 28-75 f/2.8@f/3.2 , ISO 50, 1/640s

Which I want to make sure and add as a side note, I have met people online from near my own town through this blog and not made it work to go shoot with them. I feel bad about that.

I’ve slowly started a business. And though it will be a while before I turn a profit (and I have to stop my little lens addiction), I have gotten to shoot some things I didn’t think I would get a chance to shoot before.

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SLT-A99V, 135mm f/2.8[T4.5] STF, ISO 800, 1/125s

This little blog has done a ton for me. I’ll try to return the favor if I can. Hopefully a little more often.

Until then, I’ll do the best I can to post what I have learned. Even though I am living the dream, I really owe it to my few readers to be a little more diligent.

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SLT-A99V, 24mm f/2 SSM ZA @ f/3.2, ISO 2500, 1/60s

(Talk about living the dream Smile  )

Catch Up Post (Series 2, Number 5, Part 2: My trip to Austria: Lessons)

OK, as promised a while back, almost two months ago, more Austria. Probably my biggest weakness as a human being (other than being months late with my posts) is my ability to accept help and criticism, and seek advice. In going to Austria, I faced this weakness in learning from Christian and every time I resisted I was taken to school. I learned a lot more than the lessons I will list below, these are probably the no-brainers.

I had two bodies (A77/A99) and one to four lenses (24/2, 50/2.8, 85/1.4, 135/2.8 STF) with me at most times and my Lumia 1020. One day I got sick of carrying all of the weight and against Christian’s advice I brought only the A99 and 135 STF one day and regretted the decision all day.

Lesson #1: Bring something wide. Just do it. Wide angle shots aren’t always about fitting everything in.

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SLT-A99V, 24mm f/2 SSM ZA @ f/2, ISO 100, 1/160s

This is a 100% off the body jpg from a lake at a magical place called Styria. I was using manual focus wide open and peaking on the tree growing on the stump.

Christian shoots with an A57 and an array of various lenses. I’d venture to say 50% of his shots were between 14mm and 28mm regardless of lens. He has a couple of wide angle techniques I hadn’t tried before. I have a feeling I’ll be including the techniques in my bag of tricks from now on. I’d also say he shoots ISO 200 about half the time or more. I normally use Auto ISO on my A99 at 100-800 or 100-1600 but I found 200 to a good place for consistent quality in following Christian’s advice one day.

Lesson #2: ISO 200 is a good place to be.

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SLT-A99V, 85mm f/1.4 ZA @ f/1.4, ISO 200, 1/5000s

This was shot in Vienna on my last full day. I felt like I needed a “redo” of some of the spots after not bringing the right equipment.

I have attempted Macro shots before but I typically tried to ensure the sunlight was present to raise my shutter speed. Christian would rush to give me some shade, which made no sense to me at the time. Now it makes perfect sense. He also showed me a technique for handheld macro in manual. Put the body in rapid fire mode and move outward.

Lessons #3 & 4: Sunlight doesn’t always make sense for Macro. Use a Continuous Shooting mode to shoot Macro handheld.

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SLT-A77V, Minolta 50mm f/2.8 Macro @ f/6.3, ISO 100, 1/250s

This is a flower in Christian’s front yard. He shaded the shot for me using a car windshield shade.

I’ve never used Macro tubes. Christian had a neat little set of tubes. Amazing results with my existing lenses. It was amazing to see how those worked. The 85mm f/1.4 ZA lens was really good to work with in that situation. The Minolta 200mm f/2.8 APO G was OK.

Lesson #5: Macro tubes are effective and not expensive.

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SLT-A99V, 85mm f/1.4 ZA @ f/6.3 (with Kenko Macro tubes), ISO 500, 1/100s

Another flower in Christian’s front yard. I almost fell backward after this shot, the bee was huge in the viewfinder.

These are 5 of many lessons I learned in Austria. I will have one more Austria post to wrap these up but I have some other catching up to do…

Catch Up Post (Series 2, Number 2): The I-SHOT-IT 200 Contest

I have documented in the past about some of my submissions to i-shot-it.com. They started a new contest a few months ago when they reached 200,000 “Likes” on Facebook which was a free contest where the subject had to have something to do with the number 200. The submission time ended today and it appears there are 1114 submissions.

65 of them were mine.

Did I stuff the ballot box? Maybe. Am I playing the game? Maybe. I’ll call it research. I have 1 in 17 submissions. There are 20 prizes and a grand prize. While some of my shots were really just the number 200 showing up somewhere, I like my chances with some of the others.

I took photos in 4 US states, Germany and Austria with 200’s in them. This particular photo was taken in Hallstatt, Austria.

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SLT-A99V, 24mm f/2 SSM ZA @ f/2, 1/500s, ISO 100, –.2 EV

This self-portrait was taken in Munich

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SLT-A99V, 24mm f/2 SSM ZA @ f/2, 1/640s, ISO 100

And this was taken on my way to Vienna from Munich. I would argue this submission should count as two. Both screens display the 200 km/h speed

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Nokia Lumia 1020 (~28mm f/2.2), ISO 320, 1/100s

A few shots I had to fabricate, like this photo of page 200 of the only available option in my hotel room on a rainy day in Houston.

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SLT-A99V, 24mm f/2 SSM ZA @ f/2, 1/200s, ISO 100

And others I had to just shoot because they were there.

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SLT-A99V, 85mm f/1.4 ZA @ f/1.4, 1/1250s, ISO 100

But I shot a lot of them. And there is a 1-in-17 chance they’ll see one of mine in the list. And again, some I should get credit for two.

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SLT-A99V, 135mm f/2.8[T4.5] STF, ISO3200, 1/20s

And I had a couple of natural thoughts when I hear the number 200 I had to act on at my house…

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SLT-A99V, Minolta 50mm f/2.8 Macro @ f/2.8, ISO 400, 1/30s