Out of the comfort zone

I’ve had a couple of things which have had me step very far out of my photographic comfort zone lately. First is starting a new business and looking for clients. The more I look for work, the more I find I really don’t have much to show for the work I have done so far worth showing where my wife or kids aren’t involved. I find myself searching for photos without my wife or kids and trying to post-process them to post as examples and I am more of a candid shooter than anything else, so it makes it difficult to sell portraits. I’ve also been guilty of shooting wide-open or close to wide-open at near minimum lengths so I have a ton of faces, not many bodies and not much depth of field. So I have a ton of these:

DSC06006-3
SLT-A99V, Minolta 200mm f/2.8 HS APO G @ f/4, ISO 250, 1/800s

Another thing I am realizing is I haven’t touched the surface of what I can do with post-processing and the NIK Suite is making it much harder to realize when something is good enough. I’ll like what I see after running something through HDR Efex or Color Efex but then I want to see what Silver Efex would do to the original or the post-processed copy. I have made 4-5 copies of a photo to figure out which one I liked most. Here is an example, first with the original:

DSC08253-2
SLT-A99V, Minolta 200mm f/2.8 HS APO G @ f/4, ISO 200, 1/250s

And then I ran it through Silver Efex:

DSC08253a

And then ran it through HDR Efex, and didn’t like the results:

DSC08253-Edit_HDR

So I ran it through HDR Efex first and then Silver Efex:

DSC08253-Edit_HDR_1

And finally I cut my losses and went back to the original with some slight modifications in Silver Efex:

DSC08253

Which doesn’t look much different than the first iteration through Silver Efex.

The third thing making things more difficult is I am evaluating Portrait Professional 11. Let me tell you something, this thing can be really cool. It basically uses a face mapping and will do all the smoothing and sharpening and everything for you, but you have to be careful or you’ll end up with an alien. Here is a crop from an original, the subject (my wife) is about 20 meters away:

DSC06127
SLT-A99V, Minolta 200mm f/2.8 HS APO G @ f/4, ISO 125, 1/250s

Here is an attempt of editing done with Lightroom/Color Efex, I needed to do a little more work, but I figured I would stop at 15 minutes:

DSC06127-Edit-Edit

This is an example of the interface of Portrait Professional 11. The first “suggestion” really isn’t too far from better than what I came up with in Lightroom/Color Efex.

pp

I played with the sliders a bit and this is what I came up with:

DSC06127_pp

Not too bad. A combination of the post-processors may be out of control. I need to figure out which one does what best.

One thing I need to be careful about with Portrait Professional 11 is going too far. Here is an example:

pp1

Yeah, it is a powerful tool but it can be used to create aliens if you don’t watch out. I’ll spare my wife the embarrassment.

The final factor causing me to be out of my comfort zone is an impending deadline. I was published in an annual coffee table book my employer puts out for charity and the perfectionist I sometimes strive to be didn’t want to submit anything less than perfect. I tried a few different things, got out and shot some different stuff. And the only thing I submitted was the horse above and a couple of shots I get every other day. Here are some of the shots I got before I came to the conclusion I did.

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SLT-A99V, 24mm f/2 SSM ZA @ f/8, ISO 50, 1.3s, +4 ND Filter + Polarizer
DSC07825
SLT-A99V, 85mm f/1.4 ZA @ f/5.6, ISO 50, 1/5s, +4 ND Filter

DSC08014

SLT-A99V, 24mm f/2 SSM ZA @ f/5.6, ISO 50, 1s, +4 ND Filter

Not bad, not great, none of them I liked enough to submit. If I get accepted we’ll find out which one made the cut.

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